storyboard-creation

仓库: inference-sh/skills
安装量: 139
排名: #6173

安装

npx skills add https://github.com/inference-sh/skills --skill storyboard-creation

Storyboard Creation Create visual storyboards with AI image generation via inference.sh CLI. Quick Start Requires inference.sh CLI ( infsh ). Get installation instructions: npx skills add inference-sh/skills@agent-tools infsh login

Generate a storyboard panel

infsh app run falai/flux-dev-lora --input '{ "prompt": "storyboard panel, wide establishing shot of a modern city skyline at sunset, cinematic composition, slightly desaturated colors, film still style, 16:9 aspect ratio", "width": 1248, "height": 832 }'

Stitch panels into a board

infsh app run infsh/stitch-images --input '{ "images": ["panel1.png", "panel2.png", "panel3.png"], "direction": "horizontal" }' Shot Types Abbreviation Name Framing When to Use ECU Extreme Close-Up Eyes only, a detail Intense emotion, revealing detail CU Close-Up Face fills frame Emotion, reaction, dialogue MCU Medium Close-Up Head and shoulders Interviews, conversations MS Medium Shot Waist up General dialogue, action MLS Medium Long Shot Knees up Walking, casual interaction LS Long Shot Full body Character in environment WS Wide Shot Environment dominant Establishing location, scale EWS Extreme Wide Shot Vast landscape Epic scope, isolation, transitions Generating Each Shot Type

Close-Up — emotion focus

infsh app run falai/flux-dev-lora --input '{ "prompt": "close-up shot of a woman face showing concern, soft dramatic lighting from the left, shallow depth of field, cinematic film still, slightly desaturated", "width": 1248, "height": 832 }'

Medium Shot — dialogue scene

infsh app run falai/flux-dev-lora --input '{ "prompt": "medium shot of two people talking across a table in a cafe, warm afternoon light through windows, natural composition, cinematic film still, 35mm lens look", "width": 1248, "height": 832 }'

Wide Shot — establishing

infsh app run falai/flux-dev-lora --input '{ "prompt": "wide establishing shot of a futuristic laboratory interior, dramatic overhead lighting, long corridor with glass walls, sci-fi atmosphere, cinematic composition, anamorphic lens style", "width": 1248, "height": 832 }' Camera Angles Angle Effect When to Use Eye Level Neutral, natural Default for most scenes High Angle Subject looks small, vulnerable Showing weakness, overview Low Angle Subject looks powerful, dominant Authority, heroism, threat Bird's Eye God-like overview Maps, establishing geography Worm's Eye Extreme power, awe Architecture, towering figures Dutch Angle Unease, disorientation Tension, madness, action Over-the-Shoulder (OTS) Viewer positioned with character Conversations, POV Camera Movement Movement Description Emotion Pan Camera rotates horizontally (on tripod) Scanning, following, revealing Tilt Camera rotates vertically (on tripod) Revealing height, power Dolly Camera moves toward/away from subject Intimacy (in), distance (out) Truck Camera moves laterally Following alongside, revealing Crane/Jib Camera moves up or down vertically Grand reveals, transitions Zoom Lens focal length changes (camera stays) Focus shift, dramatic emphasis Steadicam/Gimbal Smooth handheld tracking Immersion, following action Handheld Deliberate camera shake Urgency, documentary feel, chaos Static Camera doesn't move Stability, observation, tension In storyboards, indicate movement with arrows drawn on panels. Continuity Rules The 180-Degree Rule Imagine a line (axis) between two characters in conversation. The camera must stay on ONE side of that line. Character A Character B ●─────────────────● / \ / CAMERA ZONE \ / (stay on this side) \ 📷 📷 📷 Camera 1 Camera 2 Camera 3 Crossing the line confuses the viewer about spatial relationships. Only cross intentionally (with a neutral shot in between or a visible camera move). Match on Action When cutting between two angles of the same action, the action must continue seamlessly: Panel A: Hand reaches for door handle (medium shot) Panel B: Hand grabs door handle (close-up) ↑ Action continues from same point Eyeline Match When a character looks at something, the next shot should show what they're looking at, from their approximate point of view. Panel A: Character looks up and to the right Panel B: The object they see, framed from slightly below-left Screen Direction If a character moves left-to-right in one shot, they should continue left-to-right in the next. Reversing direction implies they turned around. Panel Layout Standard Formats Layout Panels Use For 2x3 (6 panels) 6 per page Detailed scenes, dialogue 3x3 (9 panels) 9 per page Action sequences, montages 2x2 (4 panels) 4 per page Key moments, presentations Single 1 per page Hero shots, critical moments Panel Annotation Format Each panel should include: ┌────────────────────────────────────┐ │ SCENE 3 — SHOT 2 │ ← Scene and shot number │ │ │ [Generated image here] │ ← Visual │ │ ├────────────────────────────────────┤ │ Shot: MS, eye level │ ← Shot type and angle │ Movement: Slow dolly in │ ← Camera movement │ Duration: 4 sec │ ← Estimated duration │ Action: Sarah opens the letter │ ← What happens │ Dialogue: "This changes everything"│ ← Any spoken lines │ SFX: Paper rustling, clock ticking │ ← Sound effects │ Music: Tension builds │ ← Music cue └────────────────────────────────────┘ Storyboard Workflow Step 1: Shot List Before generating images, write a shot list: SCENE 1 — OFFICE, DAY 1.1 WS - Establishing shot of office building exterior, morning 1.2 MS - Sarah walks through office, carrying coffee 1.3 CU - Sarah's face, notices something on her desk 1.4 ECU - An envelope on the desk, unfamiliar handwriting 1.5 MS - Sarah picks up envelope, opens it 1.6 CU - Sarah's eyes widen as she reads 1.7 ECU - Key phrase on the letter (insert text) Step 2: Generate Panels Use consistent style across all panels:

Establish a consistent style prompt suffix

STYLE

"cinematic film still, slightly desaturated, warm color grade, 35mm lens, shallow depth of field"

Panel 1.1 — Wide establishing

infsh app run falai/flux-dev-lora
--input
"{
\"
prompt
\"
:
\"
wide shot of a modern glass office building exterior, morning golden hour light, people entering,
$STYLE
\"
,
\"
width
\"
1248,
\"
height
\"
832 }" --no-wait

Panel 1.2 — Medium shot

infsh app run falai/flux-dev-lora
--input
"{
\"
prompt
\"
:
\"
medium shot of a professional woman walking through a modern open office, carrying coffee cup, morning light through windows,
$STYLE
\"
,
\"
width
\"
1248,
\"
height
\"
832 }" --no-wait

Panel 1.3 — Close-up

infsh app run falai/flux-dev-lora
--input
"{
\"
prompt
\"
:
\"
close-up of a woman face looking down at her desk with curious expression, soft office lighting,
$STYLE
\"
,
\"
width
\"
1248,
\"
height
\"
832 }" --no-wait Step 3: Assemble Board

Stitch panels into rows

infsh app run infsh/stitch-images --input '{ "images": ["panel_1_1.png", "panel_1_2.png", "panel_1_3.png"], "direction": "horizontal" }' infsh app run infsh/stitch-images --input '{ "images": ["panel_1_4.png", "panel_1_5.png", "panel_1_6.png"], "direction": "horizontal" }'

Then stitch rows vertically for full page

infsh app run infsh/stitch-images --input '{ "images": ["row1.png", "row2.png"], "direction": "vertical" }' Style Consistency Tips Use the same style suffix across all panels (lens, color grade, lighting) Use FLUX LoRA if you need consistent characters across panels Keep the same aspect ratio for all panels Generate more panels than you need and select the best If a panel doesn't match the style, regenerate with adjusted prompt Common Mistakes Mistake Problem Fix Crossing the 180-degree line Confuses spatial relationships Stay on one side or use neutral shot All same shot type Visually boring, no rhythm Vary between CU, MS, WS No establishing shot Viewer doesn't know where they are Start scenes with WS or EWS Too many shots per scene Pacing drags 5-8 shots per scene is typical Inconsistent style between panels Looks like different projects Use same style prompt suffix Missing annotations Panels are ambiguous Always note shot type, movement, action

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